The study of art history and material culture offers students the tools to interpret, critique, and navigate our media-saturated world. These disciplines encourage students to analyze the ways that our symbolically-charged visual environments shape how we think and act. Three primary goals inform my teaching: first, I want my students to sharpen their visual skills and build their critical vocabulary about art and material culture so that they can continue to develop these abilities beyond the classroom. Second,  I make the development of critical reading and writing skills a priority. Finally, It is important to create an atmosphere of intellectual generosity in the classroom by facilitating formal debates and asking students to share their ideas in direct conversations with each other. 


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(for advanced undergraduate students) 

This seminar challenges students to develop independent ideas about how the eye, mind, and image work together to inform our conception of the world. By asking “What is visual studies?”, we will examine various approaches to the myriad, and sometimes opposing, ways that human beings understand sight, the concept of visuality, and visual technologies. We will also discuss the politics of vision, of looking, and of not being seen by considering ways that race, gender, sexuality, ability, and class impact vision and its study.

Through a synthetic approach to the problem of vision, we will examine various aspects of the interplay among art, visual perception, cognition, theories of vision and their history, and the history of visual practices. Students will discuss and write about various approaches to vision, bridging together far-flung and near-neighbor disciplines—including cognitive science, psychology, philosophy, art history. Key authors include Descartes, James Elkins, Jonathan Crary, Laura Mulvey, bell hooks, Jack Halberstam, Harun Farocki, and Nguyen Tan Hoang. 

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(introductory course for undergraduate students) 

How does art of the past impact us today? What can images tell us about cultures of different times and places? This course offers a survey of major developments in painting, sculpture, and architecture from across the Middle East, Mediterranean, and Europe from prehistory (ca. 15,000 BCE) through the late Middle Ages/Early Renaissance (ca. 1450 CE). 

Lectures and hands-on activities will allow students to work directly with collections at the Penn Museum, Philadelphia Museum of Art, and the Schoenberg Manuscript Collection.